Category Archives: Interview

The Shiso Room with Jerome Sydenham : 17.04.15 @20:00[GMT]

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Exclusive Guest Mix & Interview



Legendary DJ, Producer and founder of Ibadan Records, Jerome Sydenham is going to be right here. We have an exclusive hour set of some damn fine Techno, plus a lovely chat with the man himself.
This one’s going to rock!
Don’t be part of the flat pack.



Pop Will Eat Itself – The Incredible P.W.E.I. Vs The Moral Majority
Ya Mamma (Krafty Kuts Remix) – Fatboy Slim
Yellow Sunset (Hofuku Sochi Remix) – Audision
Daddy, What’s A Rise? – LoSoul
With The Bone (Original Mix) – Jerome Sydenham
Bicept (Original Mix) – Jerome Sydenham
Geometry – Lando



Jerome Sydenham Guest Mix

Ben Klock – Pulse [Klockworks] w/ Treehouse Intro

Non Reversible – Eve [Apotek Records]

Dettmann | Klock – Blank Scenario [Ostgut Ton]

Joe Cocherell – Commerce Above All Else [Frozen Border]

Janne Tavi – Restless [Apotek Records]

Marcel Dettmann – Corridor [Ostgut Ton]

Oscar Mulero – Rotula (Truncate Remix) [Modularz]

Planetary Assault Systems – The Eyes Themselves [Mote Evolver]

Psyk – Myriad [Mote Evolver]

Cindy – Cindy’s Stupid Bunker [Subosc]

David Alvarado – Ysleta (Jerome Sydenham Special Edit) [Apotek Records]

Plastikman – I Don’t Know [Minus]

?Code 718 – Equinox (Henrik Schwarz Dub)? [Strictly Rhythm]

Midland – Leitmotif (Original Mix)

Ripperton – Leonors Lanugo (Radio Slave Remix)

Moderat – Bad Kingdom (DJ Koze Remix)

RVDE – Hymnes (Jerome Sydenham Remix)

Slam – Positive Education (Jerome Sydenham Remix)

Jerome Sydenham – The Jockey Feat. Quell (Rider Dub)


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Join me for more music methodology with special guest Turning the Tables very own David Tuplin,
from starting as a 1 off charity nite, to embarking on its 2nd birthbay, and 1 off the best flyers I’ve seen in a long time… (you’ll have to check fb page for that 1)



phonogenic – the question
deepswing ft xavior – the remixes — bini & martini vocal
danny howells & dick trevor ft erire – dusk till dawn — 16b dub
2 smokin barrells – basses loaded — naive dub
deep dish – the future of the future (stay gold)
ralphi rosario – ralphi’s club mix
sueno latino ft carolina damas – la puerta del sol
m – people – sight for sore eyes

David Tupling Guest Mix
email :



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DJsAtWork_weekly (1)
tune in to this weeks show with special guest mix and chat with Dj/Producer Original Boy Wonder,

find out what he’s been upto since them early years in Nightmare on wax.




original boy wonder – I wonder — wonderful mix
loftis # v – dreamin — joe smooth vocal/dub
original boy wonder – da elements
maskio – glory
spork – freek like me — stereosonic mix
papa washington trio – trio de janein
unknown – white label
dina carroll – good to me — k-klass dub
dl mouse – plug it up
original boy wonder -innerself
taucher – millenium bitch — jimmy van m bitchin in paradise mix
private taste – first

original boy wonder – soulful house retro mix

email :


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DJsAtWork_weekly (1)
Join me for this weeks show with special guest mix and interview from the legendary DJ/Producer Jon Dasilva from The Hacienda to the Hallo Halo Project.

dasilva green


djuma soundsystem – maddness — halo halo mix
tolfrey & ramirez – bounce to me
gari romalis – choice — payback mix
matt edwards & joel martin – social music
jonny rock – move your body to the edit
bicep and midland – d-mil
lady blacktronika – gods and planets
stl – freaky fingers
boot shonk – troubled times/stamper square

Hallo Halo / Jon Dasilva guest mix

look at the owl

part 2

dimitri & tom – brazil over zurich — mongo bongo mix
baggi begovic – chaos

email :


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DOWNLOAD NOW AVAILABLE. Back To Basics,  Dave Beer interview and guest mix special part 1


Join me for another 2hrs of E.D.M with a very special interview giving an insight into the man behind Back to basics, the UK’s longest running club night.

Music Mogul/Promoter/DJ:  Dave Beer

dave beer2


Intro – Howard Marks Aka Mr Nice
Moon Knights – Midnight Lady (Deep Rose Mix)
White Label
Jon Silva – Dirty Cash
Blaze – James Toney Jr. Project ‘Afro-Groove’
Khaya Ft. Mapumba – Cheza
Shafunkers – Girls & Boys
Bombstrikes Vol 1 – Mobel/La La Land
White Label
Winx – How’s The Music? (Basic 808 Pass)
Winx – How’s The Music? (Ovum Warmth Mix)
Daft Punk – Musique
Funk D’Void – Lovin
DJ Serge & Remy Ft. Tabu – Groove Me
Polekat – Dancing Queen (You Know What I Mean?)
Don’t U Want Me Baby?
Infinity Ft. Malik – Back To Chicago (Part2)
Kundalini Rising – Kayomani (Tarrentella vs Redanka Mix)
Heavy Rock (I Just Want To Be A) Drummer (DJ Touche Vocal Mix)
Simian Mobile Disco – Hustler (Jesse Rose Mix)
Grovesnor – Drive My Car (Oliver $ Mix)
Glitterball Test Press – Wanna Be Trapped (Unkle Funk)
Jakatta Ft Seal – My Vision (Layo & Bushwacka)
White Label
Stanton Warriors – Seekers (Whatwhatwhat Mix)

DJS AT WORK 17.10.14. 22.00 – 00.00

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UTAH SAINTS very own Tim Utah guest mix and interview

Join me for another show with very special guest mix and interview from one of dance music’s pioneering acts and dj’s alike. With a back catalogue spanning from the 1990’s to the present day. I am very honoured to introduce to the show one half of the mighty Utah Saints, Yorkshires very own Mr dj/ producer Tim Utah.

UtahSaints-01-bigutah saints





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Joining Richie Blood and Six for Episode 23 was Chris Inperspective for a bumper 3 hour show.

Chris is not only a renowned DJ and Producer but also the founder of Technicality and Inperspective records. Having recently played an old school set at the mighty Rupture DnB night he’s told us to expect some of the classics he didn’t get to that night. When it comes to quality drum and bass Chris is your man and he delivered a stunning 2 hour set for us.  Chris also takes time to chat too Six about whats going on in the Inperspective records camp with some exlusive information about future releases!

Check out some of his mixes and the releases on Inperspective records on soundcloud here.

Or go straight to the Inperspective records website for further information about upcoming releases .

Catch him live at The Secret Beat Lovers Ball in London on December 13th. More details here.

Part 1 – Richie Blood


Part 2 – Chris Inperspective in the mix


tINI: Why it’s good to be part of her gang

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Photo courtesy of

Photo courtesy of

With Ibiza closing down for the summer, what better time to reflect on the great summer parties and the DJs who made them memorable. For me, one of those was German house and techno DJ tINI, who impressed me with her vivacious DJiing and intimate command of the crowd.

The Munich-born tINI has made her formidable stamp on the electronic music scene over the past five years. She’s been key member of Loco Dice’s Desolat tech house label and their affiliated Artist Alife agency since 2009. She’s earned her stripes as a DJ, playing solidly throughout Europe since 2003 including residencies in London, Ibiza, and Italy, to name a few.

However, tINI also has production clout. In 2009, she released her production debut “That’s Right“ on the Desolat X Sampler, while 2011 saw the release of her debut album “Tessa” again on the Desolat label. It’s an album that fuses the dreaminess of Ibiza and the hard edged tech sound of the sets she loves to play.

So it’s no surprise that on 26 September, tINI won Breakthrough Artist of the Year 2013 at this year’s DJ Awards Electronic Music Awards, held in Ibiza.

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Sonus Festival 2013 review: Where the party never stops

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It’s Sunday evening, and I’m watching the sunset over the hills from Sv. Duh campsite in Croatia, and already the glorious epic memories from the Sonus Festival feel like a strange and unbelievable dream.

Amongst the fig and olive trees, noisy cicadas and barren hills, legendary German techno party promoters Time Warp presented a spectacular techno and house programme to Croatia’s party beach playground on Zrce beach on Pag Island from some of the world’s best parties and labels, 21 to 25 August 2013.

Despite my wallet getting stolen, moving accommodation three times, an Italian breaking my sunglasses, my tent flooding and ending up in Zagreb with all my belongings wet, sandy and dirty, the fun memories definitely outshine the momentary blips.

Highlights include seeing world-class DJs, securing interviews with DJ/producer and promoters  tINIEnzo Siragusa and Jacob Husley and others, meeting other music journalists, and becoming friends with loads of friendly clubbers from around the world.

The first annual Sonus Festival spanned over two nightclubs on either end of a beach club strip on the island, plus a series of day and night boat parties. Papaya is an awesome multileveled club built about 20 years ago and fitted out with swimming pools, terraced seating and a strong sounding PA on a main stage. On the far end of the strip is Kalypso, an outdoor venue with a medium stage,  smaller covered bar areas and several four poster beds (for the much needed disco naps in the early morning hours.)

Although the festival did not have a typical set up, it was clear you were part of an elite party the whole week when you passed the other beach strip clubs pumping out their abysmal fare and entered top quality clubs with even better beats.


Photo: Goran Peresin Gox

Wednesday 21 August 2013

I arrived in Zagreb on Wednesday morning on Easyjet. The festival offered direct shuttle transport from the airports to Novalja, the nearest town to Zrce beach. I shared a pleasant two-hour ride with an Australian and the Croatian driver.

‘Pag is nice,’ the driver told us, ‘but there’s too many Italians. You’ll see what I mean.’

On the ferry to Pag Island, I clocked a topless man wearing a Croatian sailors cap, holding a large beer who looked wrecked. His friends, also topless and wasted, came up shouting.‘I wonder if they’re Italians,’ I said to the Australian. He nodded.


As we wound through the hills to the ferry, it was like approaching a lunar landscape, with dusky stripped down dunes and blue swathes of sea. Novalja is a beach side resort, and it was clear that the town was busy for the festival.

I spent the first three hours in Novalja waiting in a hotel restaurant for my hotel room, surrounded by the event organisers and DJs  then went to my Hungarian friends’ campsite on Pag beach.


Sv.Duh, literally meaning ‘Holy Water’, is a quiet secluded beach, about 10 km down the road from the festival and obscured by hills. The campsite is owned by a tall Croatian man with a long ponytail called Anthony.  Anthony was born on the land. ‘This is a special place,’ he told us. ‘Many come back here every year.’

The long sandy beaches are testament to why. Straight away, I felt a nice sense of community and thought ‘this is where the festival is.’ My Hungarian friends agreed.


One Londoner said, ‘Sonus is a package clubbing holiday. In a real festival, you’re all staying together and the whole point is that you’re united in a bubble. Right now I feel like anyone can go to the club. It’s a two club week-long party.’

It was dark when we arrived at the clubbing beach strip on Wednesday night on the festival shuttle bus. At night, the strip seemed like a carnival site, with neon whirling lights, oversized novelty drinks and a bungie jump and a hopping beach. The first night was a blow out with a late night hotel move, alcohol blearyness and exhaustion, and I called it a night.

Thursday 22 August 2013

Thursday, however, saw a new day. An alfresco lunch on the seafront, followed by an impromptu party at my hotel with some Austrian DJs and producers set a fresh tone.

That afternoon my Hungarian friends and I explored Papaya and caught Berlin duo Pan-Pot pounding out some top notch house and techno. They played over the swimming pool area, which was awash in neon tops and swimwear.


I spotted three girls wearing ‘I heart Joseph Capriati’ halter tops, while another wore ‘I heart Ibiza’. I wondered if one day people would wear ‘I heart Pag’ T-shirts. One hour in, sound issues were corrected and a loud burst of ‘Do you like motherfucking bass?’ was met with whistles and catcalls, as the party music went progressively deeper. Unfortunately we missed Italian techno legend Joseph Capriati, who was on next, as we had to go chill at the campsite. We knew it was going to be a long night.

Later that evening, I saw German DJ Meat at Kalypso, while at Papaya, DJ Sneak and Loco Dice scooped up the crowds’ awe with their prowess. For the rest of the week, everyone I met went on about Loco Dice. Also, the big debate was, was his name pronounced ‘dice’ or ‘di-ce’? Personally, I loved seeing DJ Sneak who played some nice hip hop based house tunes and who I share a Puerto Rican affinity with.


Photo: Goran Peresin Gox

Sonus Festival attracted a friendly and interesting group of people from around the world.

I met party goers from all over Europe including Scotland, Paris, Italy, Ireland, Germany, Austria, Hungary and then beyond, to Chile and the US. I heard about underground clubs in Vienna, a trance festival in Hungary (Ozora), and a psy-trance festival up in the Croatian mountains.


The Brits were few and far between and were easy to spot, groups of Afro-British guys with cool moves or pale white guys and university students. Unless they were the organisers, Croatians also seemed few in attendance.  Someone mentioned that the cost of the festival ticket was more expensive than most Croatians could afford, and the Croatians I met said that income was pretty low in the country.

Last but not least, the Italians, the ‘dreaded Italians’. One person said, ‘They’re all young, rich and stupid and come over here to annoy us.’ My experience was mixed; the majority of Italians I met were lovely and smiley, while only a few were annoying.

For example – during the Saturday after party, one guy kept shoving the barrier closer to the DJ booth during Sonja Moonear’s set in the torrential rain showers. I shouted at him, ‘You’re not being helpful!’ He shrugged and said, ‘I’m Italian, what do you expect?’ Needless to say, I gave him a piece of my mind.


Friday 23 August 2013

On Friday morning, we watched the sun come up at an after party at Kalypso, which saw German DJ/produer tINI playing a legendary rinse out set back to back with British DJ/producer Enzo Siragusa from 6am to 11am. Like all great after parties, it went on later than scheduled, until midday.

Afterwards, I had the opportunity to interview tINI. I asked Enzo for an interview but he smiled and held up his hand. ‘Mate, I’d be happy to but I’ve been awake for two days straight. I’m afraid I won’t make much sense. Catch me anytime, I’ll be here until Sunday.’ (I interviewed him later – see below)

tINI was lovely and obviously a hardworking DJ who had clearly delighted audiences throughout the night, and it was great to interview her.

On Friday morning, I had about three hours sleep on the beach at the campsite.  That evening, a big group of us alternated between the two clubs in equal measures.

Kalypso had on British DJ Scott Bradford and London-based DJs/producers from Wet Yourself!, which has seen 6 glorious years at London’s Fabric so far: Cormac, Peter Pixzel, and Jacob Husley. While at Papaya, we wanted to see Magda and Seth Troxler. Difficult decisions.


While waiting to interview Magda, I met two British photographers from FuturGroov who kept me entertained with their antics.

Together we wandered over to Kalypso for the late night party.  German DJ and producer Matthias Tanzmann played  from 4am to 7am. He was consistently upbeat during the final hours. Epic.


Saturday 24 August 2013

On Saturday, the final evening of the festival, most people were happy but jaded, with barely 11 hours sleep in the past 3 days – if that. In the afternoon, Parisian and Scottish friends and I had a swim, then I said goodbye to my Hungarian friends.

A group of us went to Papaya to catch Chilean DJ Ricardo Villalobas busting out a mammoth four-hour set from 2pm to 6pm. He was on top form, moving from house to techno to acid house, using only vinyl, and doing his funny wave to the crowds cheers. He played loads of old classics like ‘Shake your body’.

When he finished, I wasn’t sure how the next DJ, Turkish Onur Özer would follow Villalobos, but I can assure you he mopped up the hungry crowds, putting on moody techno followed by bass heavy beats that got the crowd moving and dancing.


Photo: Goran Peresin Gox


Photo: Goran Peresin Gox

After seeing Onur, I was keen to interview him, and went to the back parking lot to lurk with the Sonus organisers.

After waiting 10 minutes, Enzo emerged from the darkness, followed by Jacob Husley from Wet YourSelf! and Enzo’s business partner, who I later found out was his cousin. I called out Enzo’s name. ‘Hey mate!’ he said and hugged me.

‘How about that interview?’ I said.

‘Are you going to ask him his deepest darkest secrets?’ his cousin asked.

I shook my head. ‘Nah, I’ll keep the grilling pretty light.’


We decided to have the interview in the parking lot. After, I explained that I was waiting to interview Onur. Enzo shook his head. ‘I don’t think he’s in much of a state to be interviewed,’ he said with a laugh, then added, ‘Hey what are you doing right now?’

‘Nothing, just going to get some food.’

‘So are we. Come with us.’

So 10 minutes later, I found myself in a van, heading to Novalja, talking shop with the guys.

‘Now you’re going to get the deep dark secrets about Enzo!’ Jacob said and we all laughed.

The guys all decided to stop at a place with three pigs roasting on a spit.

‘Man I fancy that pig!’ Enzo said.

‘Yeah!’ everyone agreed. ‘Let’s do the pig!’

While we waited for the pig to arrive, I had an interesting conversation with Enzo’s cousin, who explained how they’d been developing relationships with the Croatian partners for about 5 years to make this festival happen. It was a real coup, after doing their weekly night in Ibiza.


Later over dinner, we were talking about our own drum n bass and jungle roots, and Jacob busts out with this funny story. My memory is hazy, but I think it’s about some time Grooverrider got pissed off when Fabio didn’t return Grooverider’s text messages (or perhaps vice versa?). Anyways, here’s Jacob telling the story.

Jacob: ‘By the way, Fabio, I’m sorry about the last time with your phone, just like right, I’ve just got to tell you this story. This random girl walks in to buy a phone in Carphone warehouse in Brixton. The phone comes out and this geezer is standing outside saying ‘you want to buy this brand new phone for 50 quid?’ She checks it out and the phone works so she buys the phone. When she switches it on, all these texts just start coming and one is from Bryan Gee, and Bryan Gee was the dad of her son.

Enzo: ‘No!’

Jacob: ‘She calls up Bryan and says ‘Bryan, I just got this text’ and he says ‘ah, that must be Fabio’s phone’. So Fabio buys his phone back for 50 quid. What are the chances of that?

Enzo: ‘That’s ridiculous! What are the chances of that?’

Me: ‘That is so funny!’

Enzo: ‘What are the chances of that?’

Jacob: ‘I know, it’s ridiculous. It’s hilarious.’

After our pig meal, with potatoes and mangold (Croatian spinach) and wine, we went back to the festival.  We headed to Kalypso to catch the Club Der Visionare hosted party with Berlin DJ Binh, Sonja Moonear, Margaret Dygas and German DJ Zip.

It was empty when we arrived at 10pm. ‘No one’s here,’ I said.

Enzo’s cousin waved it off. ‘Trust me, in the next half hour, this place is going to be packed. Everyone’s gonna want to be here.’

After about 15 minutes, the outdoor club began to fill, and I watched Binh played a technically tight set. Sometime in the early morning, the rain began to fall hard, and Kalypso got shut down for about an hour.

The final festival after party was due to start at 6am there and there was no end to the rain. I went off to Papaya, who were handing out free rain panchos to clubbers. I became friends with a Croatian during Mirko Loko’s set, had a disco nap in the club, then we returned to Kalypso.

Sunday 25 August 2013

The after party had been moved to the bar area, which was covered with straw beach umbrellas.

Zip did an excellent acid house set. He had the party jumping!


The after party took a sudden turn of events, which incidentally created the real festival highlight. During Sonja Moonear’s set, the rain suddenly came down harder than ever before. Water dripped down the sides of the tarp covering the decks and was threatening to soak the impromptu booth.

The Time Warp promoters went into quick action. Working in relay, they brought in plastic buckets to catch the rain water, then ran outside to dump it.

The crowd crammed into the limited covered shelter, and the vibe intensified as Margaret  continued to DJ around the obstacle course and busted out some awesome tunes, smiling, pushing the volume higher and higher. She played for the next couple of hours to the captive crowds, until about noon,when the rain lifted up and the sun came out.


Ricardo Villalobos never turned up – I heard later he’d gone to Italy to DJ but didn’t come back, most likely due to the intense rain, which flooded all of our campsite tents.

That Sunday, I hung out with new Croatian friends and enjoyed a farewell dinner with campsite friends, then onwards to Zagreb. A Sonus Festival ending on a great note.

Future thoughts


I look forward to seeing what next year’s Sonus Festival brings, but I also wonder how the promoters will deal with a few issues this year’s festival presented, either real or hypothetical.

1) Popularity. There is speculation that Zrce beach is tipped to be “the next Ibiza”. If this is true, this will mean the popular beach resort will become increasingly expensive, outpricing both locals and your average techno enthusiast, who don’t necessarily want to pay through the nose for yet another festival on the increasingly busy festival offer in Europe.

2) General safety and crowd control. Over the week, I heard reports that on Thursday or Friday a man was beaten up and murdered outside one of the Zrce beach clubs – not one of Sonus Festivals – but still a concern for the imminent safety of people coming down to the beach. Someone suggested that it was Italians seeking revenge on another Italian. Although it didn’t happen at a Sonus club, the organisers might want to consider how they protect their audiences from a potentially dangerous environment.

And what about numbers? Already this year there was an issue of overcrowding on the festival’s boat parties. There were six boat parties this year, and I heard from several people that there wasn’t enough room to dance and they thought there were too many people on board. Which is a shame, but something easily mitigated by the festival organisers.

3) Festival’s overall cohesion and togetherness. Several people I talked to complained that anyone could go to the clubs used by festivals, not just the festival-goers, so ‘how was this special?’ A possible solution is to take over the whole Zrce beach club area for the festival and ticket-holders. Or make it all camping? Who knows?

I’m certain Time Warp and Sonus Festival will come back next year stronger and even better prepared to create a new Mediterranean legend.

— Zagreb, 27 August 2013

Manchester dubstep producer Compa – Beat-herder Festival set

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Compa Press Photo (13)

Dubstep has had a bad rap over the past few years, with the pronouncement in 2008 that “dubstep was dead” and then the subsequent development of godawful brostep, which has spread like a venereal disease across the United States.

However, all is definitely not lost with the bass heavy genre, particularly with the post-dubstep generation, where younger and newer producers are returning to the original sounds that first made dubstep, garage, house, drum n bass and other 1990s genres so compelling.

Last month, I caught a set from Manchester dubstep producer and DJ Compa (Will Compa) at electronic music festival Beat-herder, set in Lancashire and is – in my mind – the North’s answer to Glade, and was immediately switched on to his bass-driven sounds.

Since his 2012 debut 12″ single release on Boka Records (‘Sentence’ / ‘Beginning’), Compa has has been getting props for his fresh tunes from the likes of BBC Radio 1 and 1Xtra, Mala (Deep Medi, DMZ), Chase & Status (Ram, Mercury, Renegade Hardware) and American Dubstep Ambassador, Joe Nice.

2013 has seen Compa featured on a FABRICLIVE mix (Feburary 2013) and Mix Mag’s mix of the week (May 2013). The year has also seen him playing out at parties, nights and festivals in Manchester, Portugal, Amsterdam, Belgium, Estonia, Czech Republic and Berlin.

After his Friday night set in Beat-herder’s bass heavy stage Stumblefunk Tent, I caught up with Compa, got his thoughts on the summer’s festivals and nabbed his track listing from the night. While there wasn’t a recording of his mix, I’ve selected a few of his tracks for you to preview below – or check out more from his Soundcloud.

So what did you think of Beat-herder?

“The vibe was right, not just on the Friday night during my set, but all weekend. The people where incredible and the sound system in the Stumblefunk tent was spot on. One of the best festivals I’ve played so far in my career. Hoping to return next year.”

Are there any other electronic music festivals you “rate”? 

Outlook in Pula, Croatia, Mono in Istanbul, Turkey and Summer Saturnalia in Skipton, England. All of which I’ve been booked to play. I’d recommend readers check those festivals out and get involved.”

Compa – Beat-herder Festival set track list 

1. K Griff – Bring In The Katz
2. Skream – Burnin’ Up
3. Compa – Let Them
4. Truth – All Alone
5. Compa – Alpha
6. Skream – Midnight Request Line
7. Compa – Tibetan Chant
8. Compa – Bullets
9. Compa – Straight
10. Dizzee Rascal – Jus’ A Rascal
11. Lurka – Skeptic
12. Mala – New Life Baby Paris
13. Compa – Beginning
14. Compa – Blood Loss
15. DJ Q – Trust Again (Compa Remix)
16. Zomby – Digital Smoke
17. Compa – A’ Mi’ Tell It
18. Compa – Antact
19. Biome – Untitled
20. Distance – Blame
21. Compa – Dem A Talk
22. Gantz – Spry Sinister
23. Compa – Earths Orbit
24. Compa – Kalindi
25. Goldie – Inner City Pressure

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You can catch Compa every Friday on every Monday 12pm-2pm GMT. You can also check out his latest releases: Kalindi/Antact out now on London dubstep label Kokeshi (15 April 2013), a remix of Prism’s Future Samba VIP  out now on Brookylyn dubstep label Tuba NYC (10 June 2013), and a remix of Pistonsbeneath’s Neuromancer, which may or may not be out now on Oregon-based dubstep label Lo Dubs.